The Structure of Crystal

Ichikawa Raizo’s last film. He plays a Yakuza enforcer who kills a man on his boss's orders. He’s then sent to a provincial town to lie low, only to be caught in another war orchestrated by his original boss who has set him up.

Popularity: 8.3

Newspaper editor Amar (Kumar) grows distant from his wife Meeta (Tanuja) because his new assistant is her former lover Shashi (Thakur). Amar cannot accept that his wife is no longer enamoured of Shashi

Popularity: 10.0

Kawasaki, a high school student from Ichiko, walks along a mountain path toward Amagi and encounters a troupe of traveling performers. He becomes captivated by Kaoru, a black-haired dancer carrying a drum on her back. Deciding to travel with the troupe to Shimoda, Kawasaki finds that Kaoru also harbors a tender affection for him.

Popularity: 10.0

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

Popularity: 7.8

"A feature-length deluge of incessant, brilliant bursts of images (short takes and jump cuts, single frames in series, freeze-frames slightly altered between takes) it creates a Joyce-like dense and sombre mosaic of memory and sensory impressions, a texture instead of a plot, a dream-like flow of visually-induced associations often flashing by faster than they can be absorbed. Described by the director as an 'anxious allegory and chilling album of nostalgia,' its penetrating monomania is unexpectedly — subversively — realized to be a statement about American today: the alienation and atomization o technological consumer society is reflected in the very style of the film." - Amos Vogel, Film as a Subversive Art. Preserved by the Academy Film Archive in 2010.

Popularity: 7.7

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

Popularity: 7.7

Ichikawa Raizo’s last film. He plays a Yakuza enforcer who kills a man on his boss's orders. He’s then sent to a provincial town to lie low, only to be caught in another war orchestrated by his original boss who has set him up.

Popularity: 8.3

Newspaper editor Amar (Kumar) grows distant from his wife Meeta (Tanuja) because his new assistant is her former lover Shashi (Thakur). Amar cannot accept that his wife is no longer enamoured of Shashi

Popularity: 10.0

Kawasaki, a high school student from Ichiko, walks along a mountain path toward Amagi and encounters a troupe of traveling performers. He becomes captivated by Kaoru, a black-haired dancer carrying a drum on her back. Deciding to travel with the troupe to Shimoda, Kawasaki finds that Kaoru also harbors a tender affection for him.

Popularity: 10.0

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

Popularity: 7.8

"A feature-length deluge of incessant, brilliant bursts of images (short takes and jump cuts, single frames in series, freeze-frames slightly altered between takes) it creates a Joyce-like dense and sombre mosaic of memory and sensory impressions, a texture instead of a plot, a dream-like flow of visually-induced associations often flashing by faster than they can be absorbed. Described by the director as an 'anxious allegory and chilling album of nostalgia,' its penetrating monomania is unexpectedly — subversively — realized to be a statement about American today: the alienation and atomization o technological consumer society is reflected in the very style of the film." - Amos Vogel, Film as a Subversive Art. Preserved by the Academy Film Archive in 2010.

Popularity: 7.7

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

Popularity: 7.7

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

Popularity: 7.5

Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s students researching Osugi's theories.

Popularity: 7.3

A family of four lives off of scams in which they pretend to be injured by automobiles.

Popularity: 7.2