Back and Forth

Ichikawa Raizo’s last film. He plays a Yakuza enforcer who kills a man on his boss's orders. He’s then sent to a provincial town to lie low, only to be caught in another war orchestrated by his original boss who has set him up.

Popularity: 8.3

Newspaper editor Amar (Kumar) grows distant from his wife Meeta (Tanuja) because his new assistant is her former lover Shashi (Thakur). Amar cannot accept that his wife is no longer enamoured of Shashi

Popularity: 10.0

Kawasaki, a high school student from Ichiko, walks along a mountain path toward Amagi and encounters a troupe of traveling performers. He becomes captivated by Kaoru, a black-haired dancer carrying a drum on her back. Deciding to travel with the troupe to Shimoda, Kawasaki finds that Kaoru also harbors a tender affection for him.

Popularity: 10.0

"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB

Popularity: 10.0

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

Popularity: 7.8

"A feature-length deluge of incessant, brilliant bursts of images (short takes and jump cuts, single frames in series, freeze-frames slightly altered between takes) it creates a Joyce-like dense and sombre mosaic of memory and sensory impressions, a texture instead of a plot, a dream-like flow of visually-induced associations often flashing by faster than they can be absorbed. Described by the director as an 'anxious allegory and chilling album of nostalgia,' its penetrating monomania is unexpectedly — subversively — realized to be a statement about American today: the alienation and atomization o technological consumer society is reflected in the very style of the film." - Amos Vogel, Film as a Subversive Art. Preserved by the Academy Film Archive in 2010.

Popularity: 7.7

Ichikawa Raizo’s last film. He plays a Yakuza enforcer who kills a man on his boss's orders. He’s then sent to a provincial town to lie low, only to be caught in another war orchestrated by his original boss who has set him up.

Popularity: 8.3

Newspaper editor Amar (Kumar) grows distant from his wife Meeta (Tanuja) because his new assistant is her former lover Shashi (Thakur). Amar cannot accept that his wife is no longer enamoured of Shashi

Popularity: 10.0

Kawasaki, a high school student from Ichiko, walks along a mountain path toward Amagi and encounters a troupe of traveling performers. He becomes captivated by Kaoru, a black-haired dancer carrying a drum on her back. Deciding to travel with the troupe to Shimoda, Kawasaki finds that Kaoru also harbors a tender affection for him.

Popularity: 10.0

"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB

Popularity: 10.0

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

Popularity: 7.8

"A feature-length deluge of incessant, brilliant bursts of images (short takes and jump cuts, single frames in series, freeze-frames slightly altered between takes) it creates a Joyce-like dense and sombre mosaic of memory and sensory impressions, a texture instead of a plot, a dream-like flow of visually-induced associations often flashing by faster than they can be absorbed. Described by the director as an 'anxious allegory and chilling album of nostalgia,' its penetrating monomania is unexpectedly — subversively — realized to be a statement about American today: the alienation and atomization o technological consumer society is reflected in the very style of the film." - Amos Vogel, Film as a Subversive Art. Preserved by the Academy Film Archive in 2010.

Popularity: 7.7

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

Popularity: 7.7

An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

Popularity: 7.6

"...Nekes retreats behind his film. What is left is a double portrait, in which neither Dore 0. nor the grand landscape remain unchanged. The cold of the icy coastline - long shots of stones, snow and the sea - dwindles away before the image of Dore 0. Solitude is superflous, when the grandiose mountain meadow invites somersaults. ... In this case Nekes handles what he shows considerately. He releases the objects he portrays. He allows them to unfold. And so model and patterns actually serve another purpose: to let poetry grow, and energy and beauty and confidence nell'abbandono."

Popularity: 8.5